Moonrise at Brigantine NWR

Winter gives me a chance to go over old shots I have not gotten to. Here is one taken at the Blackwater National Wildlife Refuge in Cambridge, Maryland.

 

Skies From Bombay Hook National Wildlife Refuge

Some more skyscapes from our day of photography at Bombay Hook National Wildlife Refuge in Delaware.
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Blackwater NWR Sunset

Blackwater National Wildlife Refuge in Maryland has some very dramatic sunsets. They are close to the coast which helps provide the dramatic colors. All I was missing was a flock of birds flying through the colorful sky.

Blackwater NWR Morning Clouds at Sunrise Panorama

I found this series of morning cloud images from a previous visit to Blackwater National Wildlife Refuge in Cambridge Maryland. I was photographing Eagles in the morning with the warm light when I noticed this cloud formation. I was using a Canon 400mm f/4 IS DO telephoto lens with a Canon Series III 1.4X teleconverter. I just shot a series of 23 images handheld along the length of the cloud formation. For this image I assembled the 23 images in Photoshop with soft edge masks between each image. The final image came out to be 196″ x 13″ at 240 ppi. I do not know what I am going to do with it, but it was fun to put together. I might try printing it just for the fun of it. Also a group of other photos from the same day at Blackwater NWR.

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Bald Eagle on Snag. Canon EOS 1D MkIV, Canon 400mm f/4 IS DO, w/ Canon Series III 1.4X Teleconverter, f/14 @ 1/800 sec, +1 exposure compensation, ISO 1250.

 

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Sunrise at Blackwater. Canon EOS 1D MkIII, Canon 24-105 f/4 L IS @ 105mm, f/16 @ 1/125 sec, ISO 400.

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Sunrise at Blackwater. Canon EOS 1D MkIII, Canon 24-105 f/4 L IS @ 105mm, f/16 @ 1/60 sec, ISO 400.

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Bald Eagle in Flight. Canon EOS 1D MkIV w/ Canon 400mm f/4 IS DO lens, Canon Series III 1.4X Teleconverter, f/11 @ 1/800 sec, + 0.33 exposure compensation, ISO 800

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Immature Bald Eagle in Flight. Canon EOS 1D MkIV w/ Canon 400mm f/4 IS DO lens, Canon Series III 1.4X Teleconverter, f/11 @ 1/640 sec, + 1.33 exposure compensation, ISO 800

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Morning at Blackwater. Canon EOS 1D MkIV, Canon 400mm f/4 IS DO, w/ Canon Series III 1.4X Teleconverter, f/13 @ 1/1250 sec., -0.67 exposure compensation, ISO 800.

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Morning at Blackwater. Canon EOS 1D MkIV, Canon 400mm f/4 IS DO, w/ Canon Series III 1.4X Teleconverter, f/13 @ 1/2000 sec., -1 exposure compensation, ISO 800.

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Sun Shinning Through Clouds. Canon EOS 1D MkIV, Canon 400mm f/4 IS DO, w/ Canon Series III 1.4X Teleconverter, f/14 @ 1/1250 sec., -1 exposure compensation, ISO 1250.

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Bald Eagle on Snag at Sunrise. Canon EOS 1D MkIV, Canon 400mm f/4 IS DO, w/ Canon Series III 1.4X Teleconverter, f/14 @ 1/250 sec, +1 exposure compensation, ISO 800.

Backyard Cloud

The other day we saw this huge low cloud from the backyard. I thought the cloud had a lot of subtle tone variations in the whites plus was just huge and low to the ground. From where we were standing it just seemed overpowering. The opening photo was a 4 shot horizontal panorama. Shot with a Canon EOS1D MkIII, 24-105mm f/4L @ 105mm, f/10, 1,2000 sec, -0.33 exposure compensation, ISO 400. The other shots were just detail photos.

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Cloud @ 105mm

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Cloud @ 105mm

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Cloud @ 58mm

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Cloud @ 105mm

 

Ding Darling NWR Sunset

A series of sunsets at J. N. Ding Darling National Wildlife Refuge in December 2013. Here in New Jersey we have had a LOT of snow, so it nice to reflect back on the warm weather of our trip to Florida.

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Early Sunset @ 6:09
Canon EOS 1D MkIV, Canon 24-105 f/4 L IS Lens @ 90mm, f/8, 1/400 sec, ISO 400

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Sunset @ 6:26
Canon EOS 1D MkIV, Canon 24-105 f/4 L IS Lens @ 32mm, f/8, 1/400 sec, ISO 400

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Sunset @ 6:26
Canon EOS 1D MkIV, Canon 24-105 f/4 L IS Lens @ 47mm, f/8, 1/400 sec, ISO 400

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Sundown @ 6:40
Canon EOS 1D MkIV, Canon 24-105 f/4 L IS Lens @ 50mm, f/8, 1/125 sec, -0.67 exposure compensation, ISO 400

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Clouds at Sundown@ 6:41
Canon EOS 1D MkIV, Canon 24-105 f/4 L IS Lens @ 24mm, f/8, 1/320 sec, -0.67 exposure compensation, ISO 400

Sun Reflection Peaking Through Clouds

This landscape was taken at the Blackwater National Wildlife Refuge in Cambridge Maryland in Dec. 2011. Heavy cloud coverage hid the sun, but the colors shone through the clouds and reflected in the water. Usually we photograph Wildlife at Blackwater NWR, but you can also get some great landscapes with water or wooded areas. I also especially like the colorful sunsets with birds flying through them. This image was taken with a Canon EOS 1D MkII with a Sigma 12-24mm f/4.5 – 5.6 @ 12mm, 1/1000 sec, f/16, effective focal length 15.6mm,  aperture priority -0.67 exposure compensation. Below are a series of B&W versions using Nik Silver Effects plug-in in Photoshop. The next to last one is using a Black & White adjustment layer in Photoshop. The last is just an adjustment of contrast. I usually do not think to use B&W images anymore for myself, (too many long hours, years ago, in the darkroom for commercial clients), but I thought this image might be interesting in Black &White.

Skyscapes

Often while I am out in the field, I notice great cloud formations. So instead of photographing landscapes, I go for Skyscapes. They can be very dramatic and more fun then the landscapes I was thinking of when I started out. Sometimes the sky is just so dramatic you cannot not photograph them. Any lens seems to work well for this, depending on the effect and composition you are thinking of and the amount of obstacles in your way. Sometimes I use just the single frame for my composition. At other times, I shoot a panoramic series to stitch together later. I usually manually make my own in Photoshop, but there are many programs you can use to automatically do this. Photoshop can do this also, some friends use PTgui, but there are many you can use and there are some free ones you can download. Many times when I am out with a long telephoto on my main camera, I carry a Panasonic point & shoot camera that can shoot raw files along with a panorama crop. This also works well for skies. The examples here were photographed with a 24 -105mm to 400mm. For a single capture, I sometimes crop to a panorama format. If I use a series of images for a panorama, I zoom out to 75mm – 105mm to limit some distortion when combining them. I zoom to the height I like, then shoot a series horizontally for the length I want. Also use manual exposure so the frames all have the same exposure so it is easier to combine and overlap without variances in density. Depending on the clouds, I have also done vertical panoramas, that also give a unique & different look. Also try different crops, wider to tighter to see which ones you like better. If printing them, the crop depends on how large you are printing them. The larger you go the different the crop looks. Skies and cloud images are also great to use as a background in ebooks or books to put other photos on top with text, makes it look more interesting than a white page . So if it is a slow day out in the field remember to look up.